


The room, walls, and furniture in it are all the same color. Each bedroom in which the characters stay in has a different color associated with it. (quote of disproportionate houses and analysis) In addition, the rooms in Hill House have a significant correlation to the aesthetic. In The Haunting of Hill House, the darkness of the house goes past colors darkness is in the entire aesthetic. The colors in both The Haunting of Hill House and The Little Stranger are typically dark and caliginous, and this adds to the gothic effect for the readers. Although they are contrasted by different story lines, there are a plethora of instances, which expose the similarities within and can be categorized by either fear or insanity. insanity is present within both books at all major, comparable points. Shirley Jackson and Sarah Waters are two prominent authors whose works exudes this gothic nature with regards to the plot and characters. This genre combines fiction and horror, death, or romance, creating eerie tension and ambiguity for those reading. This alluring effect is also translated in both modern and historic literature through the gothic genre. Glenn Walters, the three primary factors that make horror films alluring to society are tension, relevance, and unrealism. According to a 2004 paper in the Journal of Media Psychology by Dr. 4, The Visionary Impulse: An American Tendency, CAA, JSTOR, 1985.Over the past three decades, films in the genre of horror and suspense have been among the top grossing movies with relation to volume of tickets and amount of movies made. "Magic Realism: Defining the Indefinite." Art Journal. "Salman Rushdie on Gabriel García Márquez: 'His world was mine.'" The Telegraph, April 25, 2014. "Magical Realism: Definitions." Arizona State University, May 23, 2002, Tempe, AZ. "Paraspheres: Extending Beyond the Spheres of Literary and Genre Fiction: Fabulist and New Wave Fabulist Stories." Paperback, Omnidawn Publishing, June 1, 1967. "Block magic: categorization, creation, and influence of Francesca Lia Block’s Enchanted America." UBC Theses and Dissertations, The University of British Columbia, 2004. Faris, Duke University Press, January 1995. "Magical Realism in Spanish American Literature." Lois Parkinson Zamora (Editor), Wendy B. "The Buried Giant." Vintage International, Paperback, Reprint edition, Vintage, January 5, 2016.

2, American Association of Teachers of Spanish and Portuguese, JSTOR, May 1955. "Magical Realism in Spanish American Fiction." Hispania, Vol.

"The Origins of Gabriel Garcia Marquez's Magic Realism." The Atlantic, April 17, 2014. "Our Lives Became Unmanageable." The Omnidawn Fabulist Fiction Prize, Paperback, Omnidawn, October 4, 2016. "Review: Kazuo Ishiguro's 'The Buried Giant' defies easy categorization." The Washington Post, February 24, 2015.
